There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
白宮網站一直在追蹤自特朗普重返白宮以來，「在美國製造業、科技及基礎建設方面的新投資」。
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Bonnet-Masimbert joined LVMH in 1996 and began his career in the luxury sector within the group. In 2018, he moved to Rimowa, where he held senior management roles and led a repositioning of the brand's distribution network, a revamp of its commercial model and the build-out of its e-commerce channels.
It’s Slim Fast for chads.